Director François Ozon’s new film adaptation of Albert Camus’s novel L’Étranger (The Outsider, 1942) confronts a considerable task: turning a brief, philosophical novel into a cinematic experience.
The Guardian: The Stranger review – lustrously beautiful and superbly realised modern take on the Camus classic
The Stranger review – lustrously beautiful and superbly realised modern take on the Camus classic
Los Angeles Times: A new take on Camus’ ‘The Stranger’ by a veteran French stylist digs unto the unspoken
A new take on Camus’ ‘The Stranger’ by a veteran French stylist digs unto the unspoken
The Conversation: In The Stranger François Ozon captures the many ambiguities of Albert Camus’s novel
In The Stranger François Ozon captures the many ambiguities of Albert Camus’s novel
The Week: The Stranger: a ‘spellbindingly sleek’ adaptation of Albert Camus’ novella
Yahoo: ‘The Stranger’ Trailer: François Ozon Does Albert Camus in Summery, Black-and-White Style
‘The Stranger’ Trailer: François Ozon Does Albert Camus in Summery, Black-and-White Style
The Nightly: The Stranger: Francois Ozon adapts the impossible literary classic, Albert Camus’ L’etranger
The Stranger: Francois Ozon adapts the impossible literary classic, Albert Camus’ L’etranger
Wall Street Journal: ‘The Stranger’ Review: Camus Comes to the Big Screen
“Mom died. I buried her yesterday. Would you like to go to a movie?” More than 80 years after he was created in Albert Camus’s 1942 novella “The Stranger,” Meursault is still the same chilling prophet ...
The Hollywood Reporter: ‘The Stranger’ Review: François Ozon’s Bold and Beautiful Adaptation of the Classic Novel by Albert Camus