Philosophically, Camus's views contributed to the rise of the philosophy known as absurdism. Some consider Camus's work to show him to be an existentialist, even though he himself firmly rejected the term throughout his lifetime.
Albert Camus (1913–60) was a French novelist, essayist, and playwright, best known for such novels as The Stranger (1942), The Plague (1947), and The Fall (1956) and for his work in leftist causes.
The essential paradox arising in Camus’s philosophy concerns his central notion of absurdity. Accepting the Aristotelian idea that philosophy begins in wonder, Camus argues that human beings cannot escape asking the question, “What is the meaning of existence?”
Camus spent his childhood in extreme poverty, living in an overcrowded two-bedroom apartment with his brother, mother, grandmother, and handicapped uncle. Nevertheless, he enjoyed more privileges as a French citizen in Algeria than natives.
(Like Camus, Sartre was a productive playwright, and Dostoyevsky remains perhaps the most dramatic of all novelists, as Camus clearly understood, having adapted both The Brothers Karamazov and The Possessed for the stage.)
Albert Camus (1913-1960) was a representative of non-metropolitan French literature. His origin in Algeria and his experiences there in the thirties were dominating influences in his thought and work.
Camus Works Albert Camus was many things: an author, playwright, journalist and political activist to name a few. Below is a list of his major works in various fields.
Camus examines the problem of suicide in a philosophical light using the Ancient Greek Myth of Sisyphus, the man condemned to push a rock up a mountain only to see it fall back down endlessly throughout eternity.